Ok, so I'm really really not a media blog. But I had this amazing nostalgic experience, and I thought it was worth sharing. Of course, there's youtube involved:
You see, the Pixies are probably my favorite traditional 4-piece rock band, and there was this clip that I recorded (on videotape) way back when I was in college. The tape is long gone, but my memories of this performance certainly are not. Like so many of us rapidly aging thirtysomething fools, I've been hoping to track down this clip, and once again, youtube came to the rescue.
In spite of all its flaws (censorship, terrible quality, advertising), it really is a genuinely amazing resource.
This clip is, quite possibly, to me anyway, the epitome of pre century original rock based perfection. It is sheer beauty. It is a postmodern mishmash and hee haw of amazement. Yes, Kurt wanted to sound like the Pixies, and this is exactly fucking why. What year was it when YOU heard of a band called Nirvana?
It's quite subtle, but there are some serious gems in this short clip. It's shot in beautiful B&W, and the camerawork and direction are beautiful and intimate. You see, even in 1990, this kind of real artistic expression, even on MTV, was starting to become hard to come by...but the sound here is very loud and tinny abrasive surfy chord progressions juxtaposed with Joey's brilliant vibrato and Kim's haunting flat chants. There is real discomfort, and there is opposition. The camera shots are SO SUPER CLOSE and what seems impossibly intimate only goes on to PULL IN TIGHTER. The head shots are generally way too high and the drum shots are downright OVERHEAD. It seems like sometimes the focus is on the instruments themselves and, in several cases, the lights themselves.
The real gem for me, though, is Charles's off-timed expression between phrases ("finally through the roof") around 1:40 ("and how does lemur skin...?"). It struck me as a thing of perfection in 1990, and it has stuck with me now for almost 20 years.
Charles has commented that this was internally referred to as the "Led Zepplin" song...but once again, this performance goes to show exactly why it is so much more. So many Pixies fans have talked down the later albums, including "Bossa Nova", but I think that this simple clip should serve as redemption!!! This really is a noteworthy piece of perfect rock music history!!!
After more than a year, Infiltration Lab has released a new 3" CDR.
As always, mp3 audio is freely available for download from from archive.org. (Although apparently right now there's a problem with the post, ug. Will update later when the dust settles...sorry).
This little abstract recording is a 22 minute trek into the insufferable human psyche. It was composed mostly for several pure data (pd) patches and instruments (like the cracklebox and atari punk console) that I built earlier this year. The foldout covers are printed in full color, and the CD labels were each individually hand drawn and painted.
All things considered, I'm pleased with the final recording product. I do wish I would have spent more time on the final mix (the sound/range is a bit low, so crank it up loud!) and made things a bit louder, but the end result is a rich dynamic range balanced on a lofi string of radio and electromush.
Moods are odd. Moods are moody.
I managed to walk into the record store that I've been walking by for 6+ months since my office moved from the arts district to a strip-mall suburb. Surprisingly, it was a pretty nice shop with a good inventory and a nice (and talkative!) owner. I'm no expert, and I'm really not even a record collector, but I walked out with 3 records for $5:
Patti Smith Group - Radio Ethiopia. Of course, I know of Patti Smith (through punk references/tributes, primarily from Sonic Youth), but I'm not really familiar with the work. I gave this record a listen and really enjoyed it. It started off a little rocky, ended with a wonderful experimental kick. Will totally recommend and listen again soon...
Leon Russell - "Carney" - I bought this only for the cover art, which looks like a proper original version of Captain Spaulding from House of 1000 Corpses. The music isn't bad, I guess, but I didn't really get into it. Mostly bluesy white guy stuff. There are a few gems, but none were amazing. The first track on side B sounds like the Liquid Sky soundtrack tho, and that's pretty freakshow circus style.
Gary Numan - "Pleasure Principle" - This was a no brainer for me -- A synthpop classic that I needed to own. You will like this.
There's a cacophony show tonite, a really good one in fact...but I'm just not up to going. I'm at home, listening to records, fiddling with a breadboard and drinking beer.
It's been some time, mostly because I intentionally delayed posting because of a drawn-out server migration. That's right, I've finally migrated noisybox.net (and related sites) off the 2U VA Linux beast and onto a newer, quieter, more efficient box with more storage. It's true: Noisybox is literally less noisy! Since I last posted, I did manage to get overlays and a manual for the Alltalk device I described before. Through some very simple testing, I have concluded that the Alltalk requires the battery to be present and charged to function properly. I haven't yet had time to do additional troubleshooting, but I suspect something else may be going on in the power circuits. More on that later. For now, I have scanned the manual and inserts and made them available on an Alltalk page. A few really good notes on the Linux/Debian front that I discovered recently...the Jack HEAD branch has finally incorporated the "clockfix" for dual core AMD64 users like myself! This means that the jackd server can now (from 0.102.20 onward) be started with -c option ("-c hpet" for amd64 I believe) to choose the clock source and prevent drift in tight realtime setups. This hasn't made it into Debian unstable yet, but I'm sure it will soon. Similarly, tight realtime users (like myself) used to have to run a patched version of PAM (libpam) that understands the new kernel's approach to setting realtime limits for users. Fortunately, Debian unstable now contains 0.79-4 of libpam-runtime that understands the rtprio settings. One note -- my patched version seemed to use "rt_priority", but the new stuff uses "rtprio"...don't let that sneak up on you! I recorded a 3" CDR during the summer and slowly mixed it into a reality sometime in September. The album is called Atu XV, and I finally managed to make it available online (also here and here). Ever since I moved back to Portland, I've been wanting to do the tour of the Shanghai Tunnels that run underneath part of downtown. Last week was the Day of the Dead, and I was fortunate enough to make it to the Soriah+Lana performance that was held in the friggin tunnels. The performance was really enjoyable, I'm certainly glad I crawled underground to be there. I emerged with an evil smirk and a renewed appreciation for the great things Portland has to offer. Last, certainly not least, the PDX Dorkbot is continuing to come together...if you live in the area, drop by one of the meetings, join the mailing list, and help us out. We're mostly looking for chairs and a projector, but we can use all other variety of goods and services. If I stop procrastinating, I'll be giving a short talk about the p5 glove and pd at the first "real" meeting.