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© 2017 jason plumb / noisybox / infiltration lab.
2023-12-04T03:10:00.000Z
Jason Plumb
jason@noisybox.net
urn:uuid:75392340-704d-463f-9dc0-98b78c24a4bc
Introducing noise-arch radio
https://noisybox.net/blog/2023/12/noise-arch
2023-12-04T03:10:00.000Z
<p>Introducing <a href="http://noise-arch.live">noise-arch radio</a>. It's a thing I created.</p>
<p>It's a long-form audio stream of the items in the
<a href="https://archive.org/details/noise-arch">noise-arch</a> cassette archive collection
on <a href="https://archive.org">archive.org</a>.</p>
<p>Not everything in the collection is great, and some of it is obnoxious, but there
are some real treasures in there as well! I find it fun to randomly "tune"
in now and again to hear what's playing. </p>
<p>I calculated the total runtime from the metadata in the collection -- it's
just over 2 weeks. In other words, the playlist will get re-shuffled about
every 14 days. It's a lot of content.</p>
<p>I have no idea how many listeners it can support on such a small cloud instance,
and I have given zero thought about scaling it. I assume nobody cares
or actually wants to listen to this stuff, so whatever.</p>
Sorry Vimeo
https://noisybox.net/blog/2023/10/vimeo_archive
2023-02-23T04:54:20.000Z
<p>Many years ago now (a lifetime in internet years), this really
fun, accessible, site called Vimeo sprung up, allowing creative
folks to post video content. It was kinda like YouTube, before
Google really made YouTube into whatever the hell it is now.
Vimeo had a lot of polished, intentionally artful
content, and it also seemed to be friendly to makers and hackers
and stuff. I dunno. Apparently it struggled to find itself, to find
its niche or place of sustainability in the world of fledgling
video streaming sites. Back when sites didn't have to be services.
Back before everything was trying to demand subscriptions for bemusing,
mundane or purely educational content.</p>
<p>Anyway, it seems that Vimeo has probably been on its last leg for
several years now, presumably sold off and passed along to whoever
is trying to save it from itself. To maximize profits over people.
Same shit. Different company.</p>
<p>These things happen. One "important" expensive person makes a
"tough decision" and then entire communities of content disappear,
sometimes overnight.</p>
<p>I don't know what has or will happen with Vimeo per se, but it seems
to be on the way out and I don't wanna stick around to find out.
In fact, I haven't for years.</p>
<p>So I pulled my old content down and have it archived
here <a href="https://noisybox.net/vimeo">in a personal vimeo archive</a>
now. It's not that big, hosting it should be fine. </p>
WCSB Noise Rotation archive
https://noisybox.net/blog/2018/11/wcsb_noise_rotation_archive
2018-11-17T23:55:50.000Z
<p><a href='https://archive.org/search.php?query=subject%3A%22wcsb_noise_rotation%22'><img alt='20181117-wcsb_logo_1024.png' src='https://noisybox.net/blog/images/20181117-wcsb_logo_1024.png' style='width: 300px;'/></a></p>
<p>TL;DR - I archived 78 episodes (~150 hours) of a radio show and you can
<a href="https://archive.org/search.php?query=subject%3A%22wcsb_noise_rotation%22">listen to them here</a>.</p>
<p>It was probably 19 years ago that I discovered the FM station WCSB streaming
on the internet. It was a special time, those Napster days when the internet
still felt like something new...and most people were still on dialup or at best
a home DSL connection. 1999 held all kinds of new opportunity to discover
exciting things in a newly connected world...like finding an mp3 of a
rare/hard-to-find b-side or having your head melted by stumbling into entirely
new genres of music.</p>
<p>For me, listening to audio streams on shoutcast/icecast and direct from a few
misc sources was a crucial part of that exploration/growth/discovery.</p>
<p>The "Noise Rotation" (sometimes fondly called the "noise rot") on WCSB was a
2-hour block of specialty programming that rotated its DJ/host each week.
I have no idea when it started or ended, but I can say that it was alive at
least from May 2000 through May 2002. I enjoyed listening to it because I could
catch bands that I was familiar with (like Negativland and Foetus, for example)
followed by a 40 minute wall of droney noise and shit that I'd never heard of.
The freeform nature of the programming was really inspiring, and completely
different from the <a href="https://en.wikipedia.org/wiki/KTXT-FM">college station I volunteered with</a>.
It seemed like they could get away with anything!</p>
<p>These days, <a href="https://xray.fm/shows">many radio stations keep archives of their shows</a>,
and you can listen to them on your own time. Hell, some shows are just podcasts
now that happen to also be broadcast on the FM band and the internet at certain times.
But back then, storing and indexing and making a nonstop rotating archive of
material was rarely feasible. Also,
<a href="https://archive.org/details/computer_shopper_2000-11/page/n309">storage was expensive</a>
(a 20GB hard drive might have set you back about $120). For me, I just wanted
to listen to shows on my own schedule...so I began recording.</p>
<p>I'm sure that I had a cron job set up to just begin recording the cbr stream
and dump the output to a file (probably using wget or curl). Due to the
somewhat chaotic nature of college/community radio and computer time drift,
I started recording a few minutes before and let it run a few minutes late.
Even then, I'm sure that I missed content. </p>
<p>I <a href="https://noisybox.net/blog/2001/01/old_message_no_subject_20010109212600">blogged about the Noise Rotation</a>
back in early 2001 and hadn't thought much about it since. At that time,
I was excited to have edited down 24 hours of material by trimming and removing
ads/commercials. I'd listen to a show every few years, but mostly since access
to everything is so plentiful and the quality is greater, I didn't revisit it much.</p>
<p>I'm pretty sure that I stopped recording the show in May 2002 when we moved
back to Oregon and just never set it back up.</p>
<p>This year I found the recordings again and decided that enough time had passed that
others might now find them useful/fun/important/historical. I spent many many
nights trimming the rest of the episodes and normalizing/preparing them for upload.
I decided that in the interest of historical preservation and to expedite editing,
that I would <em>not</em> remove any host chatter and I would leave all the station
IDs and event announcements and disclaimers in place. I removed dead air a
few times though. :)</p>
<p>In the process of working the recordings, there were a few interesting times...like
the time where the prior (blues?) show just continued because the Noise Rot person
didn't ever show up. I'm pretty sure daylight savings bit me on a couple of
the recordings, and one of the hosts just talked more than he played music. I
think the station went off-air at least one time as well.</p>
<p>The final result wasn't that much data by today's standards (only about 1.6GB),
but I couldn't imagine creating each item by hand using the web interface on
<a href="https://archive.org">archive.org</a>. Luckily, <a href="https://internetarchive.readthedocs.io/en/latest/index.html">tools exist to help with this stuff</a>, so
I hacked up a script to help automate things. The first attempt at upload/archive
failed after about 3 or 4 files due to automated spam throtting...but a quick
email to a support admin at <a href="https://archive.org">archive.org</a> fixed things up
and I was able to complete the process the next day.</p>
<p>I ended up having 78 usable recordings, which comprise about 157 hours of
noise. <a href="https://archive.org/search.php?query=subject%3A%22wcsb_noise_rotation%22">Click here to enjoy</a>
or just click the logo above.</p>
Noise and the future is now.
https://noisybox.net/blog/2009/02/noise_and_the_future_is_now
2009-02-28T09:20:28.000Z
<p>MySpace has always sucked...so fock MySpace. Well fine, it has it's place, so do the other social nets... Not only is <a href="http://archive.org">archive.org</a> officially and formally a nonprofit with library status, they are also classified as the bee's knees, the good stuff, what's good, what matters. Although this is nothing new, I have to keep reminding myself (and you!) just how fundamentally <em>RAD</em> it is that I can listen to <a href="http://www.archive.org/details/ca224_v">an amazing recording of a noise performance in Estonia</a> a mere day after it was made. The future really is now. This is what radio should be, or at least will be...once we all work around the restrictions. I keep coming back to this idea...about ditching the restrains of monetized networks, for-profit tools, and encouraging people to seek enlightenment. Seek answers through knowing the potential of your tech..... Learn what's out there, what can be done freely, truly freely, let's build tools to help people get free...</p>